YOU ARE SMARTER THAN YOUR CAMERA
---HELP IT DO BETTER
There are at least three options your camera needs if you
plan to do better photo work in all sorts of lighting situations:
1. To manually set the ISO (call it film speed)
2. An actual view finder you look through in addition to the
screen on the back
3. The option to set a Custom or Preset White Balance
White balance settings for Nikon DSLR
This article deals with White Balance.
You need to help your camera find what is really white to
start with. You really, really, really need to do this! WHITE BALANCE is what
the camera uses to determine what a color is. For instance, in a room lit with
regular light bulbs, it is called incandescent or “tungsten” lighting. The
light is naturally on the amber/yellowish side. If your camera is set for
daylight pictures, your photos inside the room are all going to have a rather
unpleasing and in-accurate amber/yellow cast. A wall painted white or a white
dress will not look the best if amber/yellow. We do not do weddings at Thomas Haynes Photography and don't have to worry about the dress looking right for everyone, whew! Walls being the correct color, that we do have to get right. If camera thinks amber/yellow is
white and decides how other colors look from there…what a mess that will
be. You already know how to fix that! I
do not mean Photoshop™ or Paint Shop Pro™ or other software. Sure, software will let you adjust color but
why spend so much time doing that and still not getting it exactly right when
you, smarter than your camera, can tell your camera which colors are accurate
to start. Then and only then use software
to fine tune it all.
You put the camera setting on AUTO for white balance or you
select that little light bulb symbol for “incandescent”. Is that it? Either way, you photos will now be much
closer to accurate color. Look at your
photos. Auto might have done ok but the setting for incandescent did not do so well this time. What
happened to the color? Mixed lighting is
the culprit…daylight from the windows, funky color from spiral fluorescent
bulbs, a halogen track light here and there—a mix too jumbled for basic incandescent camera
settings to correct. But, there is a
better way to do it and most digital cameras have this option: Custom or Preset white balance.
“Read the manual” is good advice and is how you will learn
to make a custom white balance for the room you need to photograph. While different cameras use different instructions,
buttons or knobs to set white balance, the basic event is the same. Take a photo of a white sheet of paper or
white foam core board. The camera is set
to use this reading as the starting point for “what is actually white”. All the
kinds of light in the room are taken into account because that is what is lighting the white card.
Using a white card to set camera white balance: In this instance, the green paint of the house was showing as light gray and preset white balance was needed for accurate color.
To set "pre" white balance on the Nikon DSLR cameras we use, the white balance setting
is moved from Auto all the way over to PRE.
The white balance button is pressed and soon enough the word “pre”
begins to flash in the control panel on top of the camera. Then, a photo is shot of the white paper or
card. If the camera gets a good reading,
the word “good” shows in the panel. Keep
the white balance set on pre and you are good to go for all the situations with
lighting like in the place you did the custom white balance setting. This IS more accurate than Auto because it
literally uses the available lighting and the white photo to set a correct
starting point (white) for other colors in your photographs. Note, the white does not need to totally fill
the view and does not need to be in focus.
Believe it..When Thomas Haynes Photography heads out of Clinton,
Tennessee to shoot photos for a client, before any photos are taken we set the
preset white balance for the scene.
Remember, by all means change the white balance when you move into a scene or room with totally different lighting or go outside. Auto generally works acceptably outside and in many interior situations where lighting is relatively uniform. Try preset or custom white balance to get you out of color trouble in difficult lighting and overall better color rendition by the camera.
At Thomas Haynes Photography, we go one step further. We use a color chart like this one from xrite:
Color Checker Passport by Xrite, used for accurate color rendition from camera to computer editing.
"White Card" section of Color Checker Passport, designed for proper light reflection.
While we consider a color reference such as the XRite products Passport totally necessary to get accurate color critically accurate, simply using a custom or preset white balance from a white sheet of printer paper or sturdier white foam core board will work a small miracle in difficult lighting situations.
You can do it...if you would rather spend your time with clients and not so much with a camera and editing software, drop an email to Thomas Haynes Photography using the email box at upper right of the blog page. We will respond and meet with you as you wish. We work in the greater Knoxville area of east Tennessee, out of Clinton. Email us and a we may begin a conversation on normal email where you are not limited to the blog page text box.
Send questions,brag on us(yes!) honestly, make comments, any way you choose to open the door to communication. This can be a win for both of us. You can even have us to do the photos.
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We have no connection with makers or sellers of any of the products we mention in this blog.
We do not get a single cent but mention products as appropriate to the article.
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Oops,ran out of time and space but will get into using shadow, contrast and saturation via your computer software in the next post.
